Holley establishes the groove with a well-articulated bass line, which Burrell glides over sparsely, until the saxophonist comes in to state the head in unison with the guitar. If you are running an ad blocker, please disable it on whosampled. Darker hues ruled the night, and the pale moonlight of a lovelorn skyline meant it was past last call and all that remained of the day was an overwhelming air of what could only be called the blues. Discussion Be the first to comment on this track! Please sign in burrepl sign up. Refresh the page to see the result.
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Darker hues ruled the night, and the pale moonlight of a lovelorn skyline meant it was past last call and all that remained of the day was an overwhelming air of what could only be called the blues. Undoubtedly, was a high-water mark for jazz, in New Jersey and elsewhere. A true master, Burrell has internalized the form, giving him the sense of repose and restraint that is the cornerstone of any bluesman worth his salt. On this outing, he is joined by like-minded players who create the illusion of a loose blowing session within a tight framework: tenor saxophonist Stanley Turrentine , bassist Major Holley , drummer Billy Gene English , and conguero Ray Barretto , a highly regarded bandleader in his own right who injects a dash of Latin flavor into the mix. The effect is a listener-friendly album with a tonally nuanced atmosphere easily shared between the jazz aficionado and the neophyte who just heard Kind of Blue for the first time; regardless of background, a smooth ride allows passengers to take in the scenic vistas.
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