DURUFLE TU ES PETRUS PDF

Zum Teil zitiert er Originalmelodien des Gregorianischen Chorals, zum Teil lehnen sich seine erfundenen Melodien an die Gregorianik an. Die vier Motetten sind um vier aus verschiedenen Bereichen der Liturgie stammende gregorianische Melodien herum komponiert. Heute werden die Antiphon und einige Verse des Hymnus zur Gabenbereitung gesungen. Tota pulchra es, Maria, et macula originalis non est in te. Tu gloria Jerusalem, tu laetitia Israel, tu honorificentia populi nostri.

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Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Each phrase of the text is repeated and the altos alternate singing them in two separate choirs.

The tenors are subdivided into two voice parts in order to maintain four-part chordal harmony. After the sopranos enter for the exultant central section, the harmonic structure increases to five parts.

The opening text alternates as a refrain between the other two verses, forming a five-section ABACA structure. It is set in three voice parts for subdivided sopranos and undivided altos, with an occasional expansion to four female voice parts. In contrast to the strict chordal harmony of 'Ubi caritas', this motet blends contrapuntal and chordal styles. The plainchant melody is set polyphonically for all four voice parts and the music rises to its most forceful climax at the very end of the motet.

The text of 'Tantum ergo' is set polyphonically for all four voices, with the plainchant melody carried in the soprano line, and freely imitated in the tenor part. You, the glory of Jerusalem, You, the joy of Israel, You, the most honoured of our people.

Genitori, genitoque laus et jubilatio, Salus, honor, virtus quoque sit et benedictio. Procedenti ab utroque compar sit laudatio. Praise and rejoicing, safety and honour, virtue and blessing to the begetter and the begotten. To him who comes from either be there equal praise. Genitori, genitoque laus et jubilatio, salus, honor, virtus quoque sit et beneditio; procedenti ab utroque compar sit laudatio.

To the Begetter and the Begotten be praise and rejoicing, safety, honour, virtue and blessing; to Him who proceeds from both let there be equal praise. Genitori, genitoque laus et iubilatio, salus, honor, virtus quoque sit et benedictio, procedenti ab utroque compar sit laudatio. Father, Son and Holy Spirit let us praise now and rejoice, honour, glory and salvation blessing with resounding voice.

Praise Him who was born of woman, Him who saved us by His choice. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Don't show me this message again. All four of them are based on melodies from the Benedictine monastery of Solesmes, which issued the official, most widely recognized edition of Gregorian chant. The texts for the first three motets are antiphons taken from the liturgies of the mass or Vesper services, while the closing 'Tantum ergo' is from the hymn, 'Pange lingua gloriosa', set to a text originally composed by St Thomas Aquinas for the Feast of Corpus Christi.

Houston Chamber Choir , Robert Simpson conductor. Vasari Singers , Jeremy Backhouse conductor. Mark Williams leads the Choir of the Jesus College Cambridge through an evocative selection of choral works inspired in varying ways by the Songs of Songs. Another fascinating collection from Westminster Abbey, recreating a particular liturgical event.

This disc contains music one might hear if visiting the Abbey on its patronal feast, that of St Peter the Apostle. The programme broadly follows the s The Cambridge Singers , John Rutter conductor. This album recollects and celebrates some of the choral music heard on royal occasions during the lifetime of HM Elizabeth II.

The music chosen reflects the personal choices and commissions by the Royal Family for weddings, funerals, and anniversa No 1: Ubi caritas et amor. Congregavit nos in unum Christi amor. Exultemus et in ipso iucundemur. Timeamus et amemus Deum vivum.

Et ex corde diligamus nos sincero. Where charity and love are found, there is God. The love of Christ has brought us together into one. Let us rejoice and be glad in that love itself. Let us fear and love the living God. And let us love from a pure heart. Corydon Singers , Matthew Best conductor. Exsultemus et in ipso jucundemur. Where charity and love are, there is God. The love of Christ has brought us together into one flock. Let us rejoice and let us be glad in that love itself.

Congregavit nos in unum Christi amor Exultemus et in ipso jucundemur. Exsultemus, et in ipso jucundermur Timeamus et amemus Deum vivum. Where charity and love are, God is there. Let us rejoice and be pleased in Him. Let us fear, and let us love the living God. And may we love each other with a sincere heart. His body of published compositions, the Requiem of foremost among them, is slender but highly valued among musicians for its impeccable craftsmanship and affectionately individual absorption of Gregorian chant, an influence dating from his early years at Rouen Cathedral.

Exultemus et in ipso jucundemur. Ubi caritas et amor, Deus ibi est. Where charity and love is, there God is also. We praise him and are joyful. We fear and love the living God. From our hearts, diligently and sincerely. Exsultemus, et in ipso iucundemur. Timeamus, et amemus Deum vivum. Let us rejoice, and be glad in Him. Let us fear and let us love the living God. Exsultemus, et in ipso jucundemur.

Exultemus et in ipso iucundemur, timeamus et amemus Deum vivum, et ex corde diligamus nos sincero. Antiphon for Maundy Thursday. Let us be glad and rejoice in Him, let us fear and love the living God, and with a sincere heart love one another. Vestimentum tuum candidum quasi nix, et facies tua sicut sol. Tu gloria Jerusalem, tu laetitia Israel, tu honorificentia populi nostri.

Thou art all beauty, Mary, and there is no blemish of original sin in thee. Thy garments are as white as snow, and thy face is as the sun. Thou are the glory of Jerusalem, the joy of Israel, the source of honour to our people. Tu gloria Ierusalem, tu laetitia Israel, tu honorificentia populi nostri.

You are all beauty, Mary, and there is no blemish of original sin in you. Your garments are as white as snow, and your face is as the sun. You are the glory of Jerusalem, the joy of Israel, the source of honour to our people.

Tota pulchra es…. Mary, most beautiful of all, In you is there no original stain, Your shining white vestments are like snow, And your form is like the sun.

Mary, most beautiful… You, the glory of Jerusalem, You, the joy of Israel, You, the most honoured of our people. Mary, most beautiful…. Tota pulchra es, Maria, et macula originalis non est in te. Tota pulchra es, Maria. You are completely beautiful, Mary, and the original stain is not in you. Your clothing is white like snow, and your face is like the sun. You are the glory of Jerusalem, you are the joy of Israel, you are the honored of our people.

You are completely beautiful, Mary. Antiphon on the Feast of the Immaculate Conception. You are wholly beautiful, Mary, and there is no original sin in you. Your garments are white as snow and your face is like the sun.

You are the glory of Jerusalem, you are the joy of Israel, you are the honour of our people. Matthew You are Peter, and on this rock I will build my church. One of a set of four motets on Gregorian themes composed in , this concise and direct work, lasting barely one minute, is based on the well-known plainsong antiphon for the feast of St Peter which has provided the source material for many composers over the centuries and which contains the seminal Petrine passage from the Gospel: the words of Jesus to Peter, giving him the responsibility for leading the church.

Thou art Peter, and upon this rock I will build my church. Thou art Peter and upon this rock I will build my church.

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Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.

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Tu es Petrus

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