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Since the introduction of radio in Latin America in the s—and, later, of television in the s—mass culture has become a vital part of Latin American identity, and as such has also become an important part of Latin American narratives. It is possible to view two different reactions regarding the significance of this new medium of information and leisure in these narratives.

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Alonso, Maria Nieves. Bruce-Novoa, Juan. June C. Carter and Donald L. Columbia: University of Missouri Press, Durham: Duke University Press, Cuadra, Ivonne. Fuguet, Alberto. Bad Vibes. Kristina Cordero. New York: St. Barcelona: Mondadori, Hybrid Cultures. Christopher Chiappari. Minneapolis: University of Minnesota Press, Consumers and Citizens.

Garcia Corrales, Guillermo. Hargrave, Kelly and Georgia Seminet. Johnson, Dianne. New York: Palgrave, Acto propiciatorio. Mexico: Joaquin Mortiz, Lapsus algunos actos fallidos. Mexico: Joaqui n Mortiz, Amor perdido. Mexico: Biblioteca Era, Renouprez, Martine. Salinger, J. The Catcher in the Rye. New York: Bantam, Sarlo, Beatriz.

Scenes from Postmodern Life. Jon Beasley-Murray. Minneapolis: University Minnesota Press, Santiago: Cuarto Propio, Williams, Lynell. In Defence of Lost Causes. Brooklyn: Verso, First as Tragedy, then as Farce. Zolov, Eric. Refried Elvis. Berkeley: University California Press, Robbins There are no affiliations available.

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Alberto Fuguet - Mala Onda

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Access options available:. Cass A lberto Fuguet's characters struggle. Many face loneliness, boredom, and drug addiction; many find themselves in dysfunctional relationships or families; most express a palpable disenchantment with life in Santiago. They advocate literary pursuit that resists sweeping national narratives and instead privileges the everyday and the individual, a point they drive home through the vitales-levemente aburridas juxtaposition. The personal stories of mildly boring characters, they contend, are just as noteworthy as those of the master narratives that brought international prominence to Latin American fiction. Fuguet's early fiction, naturally, espouses what Jason Summers has called "the more individualistic voices of the McOndo generation" Summers adds that the push for individualism goes hand in hand with what he characterizes as a "dark" outlook and a tendency towards "extreme" social criticism


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It is also Fuguet's debut novel , first published in Mala onda is set in Chile during a ten-day period in September, , around the time of the Chilean constitutional referendum. The novel examines the Chilean emulation of American consumerism and pop culture , in the context of a growing opposition to the dictatorial rule of Augusto Pinochet in Chile. The novel takes place in in Santiago, Chile during the political referendum of the country's future with Pinochet.


From the Mexican Onda to McOndo: The Shifting Ideology of Mass Culture


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