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Ave Maria (Arcadelt-Dietsch)
Although named in every history of music as an important composer and as one of the creators of the Italian madrigal, principally known for the madrigal Il bianco e dolce cigno and even more so by an incorrectly attributed Ave Maria that amateur choirs have been performing since the Romantic period, Jacques Arcadelt has not yet gained the position that he deserves in the musical world of today. He was in the service of the Medici, the papacy and the kings of France; he could hardly have had a more impressive career. The recording sessions for this set created a real emotional shock on several occasions: we were convinced that Jacques Arcadelt was a true genius and it was easy to understand why his contemporaries regarded him as truly exceptional. Brought up in the French-Flamish tradition but fed with the milk of Renaissance Italian madrigalism since he was about eighteen years old, Jacques Arcadelt left behind him many gems whose importance has been realized only recently. These are thus madrigals from his First and Fourth Books released during his Italian years around , songs from the various Livres de Chansons Books of Songs released between and when he was living in Paris, and motets from various eras in his career—mostly Italian, a bit French too since he moved from court to court depending on the jobs, the political assassinations, the change in alliances and, generally, the implausible chaos between the various power players at the time. We are trying to postpone all our concerts cancelled since March 13, to the or seasons. Rest assured that we are doing everything we can to bring you back to our music, initially through virtual festivals from the end of May to July and from the end of August in concert!
Leonardo García Alarcón
Jacques Arcadelt also Jacob Arcadelt ; c. Although he also wrote sacred vocal music, he was one of the most famous of the early composers of madrigals ; his first book of madrigals, published within a decade of the appearance of the earliest examples of the form, was the most widely printed collection of madrigals of the entire era. Arcadelt was the most influential member of the early phase of madrigal composition, the "classic" phase; it was through Arcadelt's publications, more than those of any other composer, that the madrigal became known outside of Italy. Later composers considered Arcadelt's style to represent an ideal; later reprints of his first madrigal book were often used for teaching, with reprints appearing more than a century after its original publication. He moved to Italy as a young man, and was present in Florence by the late s, therefore having an opportunity to meet or work with Philippe Verdelot , who wrote the earliest named madrigals.